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Left, Lupito Nyong’o at the Oscars. Above, Kendrick Lamar.

             engage in. With photography that was always the 50% partner,  that comes into the same space to try to highlight their
             it was the theme of process. It makes traditional photography, in  unique individuality?
             some ways, more valuable, but it is somewhat of a disappointment.  MS: We really just create a lighting situation that we know
                                                                 is going to look very photogenic, then we work with our
             LJ: How do you decide how to approach a personality that already  subjects to make those pictures. I give them a lot of direc-
             has a well-known image or brand?                    tion usually but most of the people I work with, whatever
             MS: Mainly what we do is talk with the magazine about what  type of artist they are, we try to keep a sense of who they
             their ambition is, what their idea is. Typically, I will control that  are within that context. So that really shows, even if we
             myself in terms of what I want to do. But in some instances,  are controlling it quite a bit.
             they have preconceived ideas and so we just elaborate on that
             and embellish that. If I get an assignment where I can do any-  LJ: Let’s talk about the Kendrick Lamar photo.
             thing I want to do, then the process is very planned out. I’ll  MS:  Kendrick  Lamar  was  for  Rolling  Stone.  That  was
             figure out who the person is, what the story is, how to create an  really wonderful because I didn’t know very much about
             idea – that is all the work that I do on the front end. It depends,  him, I knew a little bit about the music and I just found
             sometimes it’s very simple and sometimes it’s a big concept, it  him to be a great subject, completely willing and trusting.
             just depends on the personality.                    He worked hard, he came in at 8:30 in the morning after
                                                                 playing a show the night before and then working all night
             LJ: For something like the Oscars Studio where you have a pre-  in the studio. I found him delightful. He’s a very generous
             arranged set, is there a way that you approach each personality  subject, he’s also a nice person. I remember after the shoot



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